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劇情簡(jiǎn)介：某些事件本身是被遺忘的，被摒除于版權(quán)之外，更是某個(gè)地域里人的共同創(chuàng)作和耳目相ccc。這些無多大價(jià)值卻存附于地景、時(shí)空的事件該有保留下來的意義。試問當(dāng)發(fā)生事件的地景逐漸蛻變時(shí)，事件本身是否行將消亡？作為個(gè)體，我或許可以紀(jì)錄下些什么。Someoccurrencesthemselvesareforgottenandbeinggotridofanycopyrights.What’smoretheseoccurrenceswerecreatedandsharedbypeopleinacertainplace.Althoughtheseoccurrencesareworthless,theyarestillmeaningfulforreservation.Whentheplacesthatsomethingoccurredhavechangedgradually,willoccurrencesthemselvesdieoutsoon?Asanindividual,Imayrecordsomething.導(dǎo)演闡述：10年前迷上電影的時(shí)候，我構(gòu)思了《拐人》的雛形無人?未知。直至2015年，《拐人》得以面世。時(shí)隔3年再創(chuàng)作《拐人2：公有領(lǐng)域》。我希望為《拐人》補(bǔ)遺之余，進(jìn)一步深入探討私人與公共、創(chuàng)作與共享、事件與地景之間的關(guān)系。這也是我對(duì)地緣的一種映像層面的實(shí)驗(yàn)和存檔。WhenIbecameinterestedinmovie10yearsago,IthoughtuptheideaofUnmanned/Unknown—theprototypeofAbduction.Until2015,Abductionhasbeencreated.After3years,IameagertocreateAbduction2:PublicDomain.Duringthecreation,IwanttomakeanaddendumforAbduction.Atthesametime,Iwanttoexploredeepertherelationshipsbetweenprivacy/public,creation/sharingandoccurrences/landscapes.Alsothat’savisualexperimentandarchiveofmyresearchaboutGEO.